Die Death Metal / Crust / Grindcore-Band UNBORN GENERATION hat mit “Kivun kuilu” eine erste Single ihres kommenden Albums “…and All We Forget” veröffentlicht. Es ist das siebte Album der Finnen und soll im Frühjahr 2024 via Inverse Records erscheinen.

UNBORN GENERATION sind Sänger und Gitarrist Herkko Huttunen, Drummer Eetu Huttunen sowie Bassist Arto Kettunen.

UNBORN GENERATION “Kivun kuilu” (Audio bei Bandcamp)

Source: Vampster

Genre/Influences: Electro-Pop, Dark-Pop.

Format: Digital, CD.

Background/Info: After a self-released debut album and next albums on Juggernaut Music Group and Analogue Trash Records IIOIOIOII stroke back by the end of 2023 unleashing a new opus on Distortion Productions.

Related newsThe dark atmospheric synthpop act IIOIOIOII is back with an all new 3-track single 'Frozen Sea'Content: Chris Gurney remains faithful to his dark format of Electro-Pop music. The sound remains pretty evasive, spiced with a melancholic touch and some carrying choruses.

+ + + : There’s a noticeable improvement in the global writing- and production process of this work. IIOIOIOII (pronounced ‘eye o’) became more mature while holding on its original influences. I like the darkness and melancholia of the songs but I especially recommend listening to “Until I’m Free” and “Carousel”.

– – – : The album is missing a true, potential’ hit.

Related newsV/A AnalogueTrash Label Sampler Vol.2 (CD Album – AnalogueTrash Records)Conclusion: IIOIOIOII don’t release new albums at regular basis but “Dreaming” is a fully appropriated title for a noticeable new work.

Best songs: “Until I’m Free”, “Carousel”, “Into The Night”, “Legacy”.

Rate: 7.

Related newsIIOIOIOII – Post Brimstone /Expanded Version (Digital EP – AnalogueTrash Records)Artist: http://www.iioioioii.com / http://www.facebook.com/IioIndustrial

Label: http://www.distortionprod.com / http://www.facebook.com/distortionproductions

Source: EBM.gr

KMFDM, which is short for “no mercy for the masses” in a loose translation, was launched in Paris in 1984 as a performance art project. Since then, the band has become a leading force in the industrial music scene. KMFDM’s sound is characterized by heavy metal guitar riffs mixed with electronic beats and both male and female vocals. Their music covers a range of genres, including industrial rock, electronic body music, and reggae and dub elements. KMFDM is known for their uncompromising political commentary, with lyrics that take a stand against violence, war, and oppression, making strong statements through their art.

KMFDM’s early work began in Germany, but their move to the USA marked a significant change. Signing with Chicago’s influential Wax Trax! label led to increased recognition. The 90s saw the band continually evolve, with a dynamic roster of members, establishing them as a prominent name in the US music scene. Their reach extended from climbing the Billboard charts to inclusion in soundtracks for major films like “Bad Boys” and “Mortal Kombat,” highlighting their broad impact.

Rising from the ashes with a fresh, fierce ferocity, KMFDM storms into their 40th year with LET GO, their 23rd studio album. Sascha “Käpt’n K” Konietzko, Lucia Cifarelli, Andy Selway, and Andee Blacksugar, the core powerhouse of the group, deliver an electrifying blend of pulse-pounding rhythms, scorching electronics, and blistering guitars. Vocals laden with grit, growl, and grind cut through the mix, offering a raw commentary on the social, political, and cultural turmoil swirling in today’s world. This latest offering from KMFDM isn’t just a celebration of their longevity; it’s a battle cry echoing through the chaos of our times.

Order the LET GO CD here and the vinyl here, via Metropolis Records.

LET GO by KMFDM

Four decades into their journey, KMFDM’s Ultra Heavy Beat continues to defy the norms, eschewing pity and regret. Instead, it raises a defiant middle finger to a world engulfed in chaos, standing as a beacon of rebellious spirit and innovation.

Check on the video for the track “AIRHEAD” below:

Following the album’s release, KMFDM is set to embark on a month-long U.S. tour in the following cities. Don’t miss them!

Order tickets here.

TOUR DATES:

Mar 6 Atlanta, GA The Masquerade – Heaven
Mar 7 Carrboro, NC – Cat’s Cradle
Mar 8 Baltimore, MD- Baltimore Soundstage
Mar 9 New York (NYC) – Irving Plaza
Mar 10 Philadelphia, PA – Brooklyn Bowl Philadelphia
Mar 11 Harrisburg, PA – Harrisburg Midtown Arts Center Capitol Room
Mar 12 Boston, MA – Royale Boston
Mar 14 Cleveland, OH – Agora Theatre & Ballroom
Mar 15 Chicago, IL – Metro
Mar 16 Milwaukee, WI – The Rave/Eagles Club

Follow KMFDM:

Website
Bandcamp
Merch
Facebook
Instagram 
YouTube
Spotify
Apple Music 

The post Industrial Music Legends KMFDM Release 23rd Studio Album “Let Go” — Plus Tour Dates appeared first on Post-Punk.com.

Source: Post-Punk.com

Soundtechnisch gehen New Model Army den sicheren Indie-Rock-Weg. Die Songs belegen aber, dass Mastermind Justin Sullivan immer noch Tinte auf dem Füller hat.

Source: MedienKonverter

Die Epic Shamanic Black Metal-Band DARKESTRAH hat mit “Nomad” ein neues Album angekündigt. Es ist das siebte Album der Band und wurde von Andy Schmidt (DISILLUSION) produziert. Erscheinen wird das Album am 29. März 2024 via Osmose Productions.

Einmal mehr vereine das Album Black-Metal-Riffs und traditionelle zentralasiatische Melodien, Verse aus kirgisischer epischer Poesie und Visionen von spirituellen Reisen.

DARKESTRAH “Nomad” Tracklist
1. Journey Through Blue Nothingness
2. Kök-Oy
3. Nomad
4. Destroyer of Obstacles
5. Quest for the Soul
6. The Dream of Kojojash
7. A Dream That Omens Death

Source: Vampster

Die Modern Progressive Metal-Band SHADOHM hat mit “Through Darkness Towards Enlightenment” ein neues Album angekündigt. Es ist der erste Release der neuen Band von Drummer Paul “Pavulon” Jaroszewicz (ANTIGAMA, GODSLUT, OBSCURE SPHINX, Ex-HATE, Ex-VADER). Weitere Band-Mitglieder sind Sänger Adrian “Klama” Meissner, Gitarrist und Sänger Rafał “Tarlachan” Łyszczarz, Bassist Błażej Kasprzak sowie Gitarrist Jakub “Szatan” Śliwowski.

“”Through Darkness Towards Enlightenment” ist ein Kommentar dazu, wie ich die mich umgebende Realität wahrnehme und ist inspiriert von allem, was mir im Laufe der Jahre begegnet ist. Es ist eine Form des Loslassens des Drucks und der Frustration, die seit vielen Jahren in mir wachsen, eine Form der Katharsis, eine Art Therapie – mit meinen Dämonen fertig zu werden und die Kraft zu finden, meine Ziele trotz aller Widrigkeiten zu verfolgen”, erklärt Jaroszewicz.

“Through Darkness Towards Enlightenment” wurde von Sebastian Has im Santa Studio gemixt und gemastert und wird am 8. März 2024 via Selfmadegod Records erscheinen.

SHADOHM “Through Darkness Towards Enlightenment” Tracklist
1. Through Darkness
2. Blurred
3. Fair Weather Friend
4. Ripped Apart
5. Towards Enlightenment

Source: Vampster

Am 22. März 2024 erscheint über AFM Records das brandneue Studioalbum der Symphonic Metal-Wikinger LEAVES‘ EYES. „Myths Of Fate“ könnt ihr ab sofort auf https://leaveseyes.bfan.link/Myths-of-Fate vorbestellen. Um die anstehende Veröffentlichung gemeinsam mit euch auch live gebührend zu feiern, haben LEAVES‘ EYES darüberhinaus neue Konzert Termine bekannt gegeben, alle Dates findet ihr weiter unten.

Für den neuen Longplayer produzierte die Band mit Mastersound Entertainment insgesamt fünf Musikvideos. Gedreht an beeindruckenden Schauplätzen in Island, Deutschland und Polen, bringen LEAVES‘ EYES die Mythen fesselnd auf die Leinwand. Magische Kreaturen, große Schlachten und bezaubernde Kriegerköniginnen werden hier lebendig! Nach dem bereits epischen Video zu „Realm Of Dark Waves“, hat die Band heute einen Clip zu ihrer neuesten Single „Who Wants To Live Forever“ online gestellt:

LEAVES‘ EYES TOUR DATES
+ Special Guests METALITE* & CATALYST CRIME:
14.03.2024 UK Birmingham / Asylum
15.03.2024 UK Glasgow / Slay
16.03.2024 UK London / The Dome
17.03.2024 UK Manchester / Academy 3
19.03.2024 DE Nürnberg / Hirsch
20.03.2024 CZ Solothurn / Kofmehl
21.03.2024 DE Bochum / Matrix
23.03.2024 DE Osnabrück / Bastard Club
24.03.2024 DE Leipzig / Hellraiser
26.03.2024 DE Darmstadt / Centralstation
27.03.2024 DE München / Backstage
29.03.2024 ES Madrid / Moby Dick
30.03.2024 PT Porto / Hard Club
01.04.2024 ES Barcelona / La Nau
02.04.2024 IT Milano / Legend Club
03.04.2024 AT Vienna / Szene
04.04.2024 HU Budapest / Analog Music Club
05.04.2024 BG Sofia / Joy Station Club
06.04.2024 RO Bucharest / Fabrica
07.04.2024 RO Cluj Napoca / Form Space
08.04.2024 PL Krakau / Kamienna 12
09.04.2024 PL Warsaw / Hydrozagadka
10.04.2024 PL Gdansk / Drizzly Grizzly
11.04.2024 DE Hamburg / Headcrash
13.04.2024 DE Berlin / Orwohaus

 

Source: Amboss-Mag.de

“Dedicada a personas que fueron muy importantes en mi vida pero con las que fue necesario cortar lazos para ver la luz”
Ending ties with someone you deeply care about is one of life’s most heart-wrenching decisions. It’s akin to standing at a crossroads, where the path of personal growth diverges sharply from the comfort of shared memories and affection. This process often feels like a delicate dance of grieving and acceptance, a silent acknowledgment that love, in its many forms, sometimes demands the ultimate sacrifice for the sake of individual evolution. There’s an overwhelming sense of loss in the aftermath; a mourning for the future that will never come to pass with this person by your side. It’s a bittersweet realization that sometimes, love means stepping away so that both people can seek their fullest potential, even if that journey must begin apart.

This feeling is distilled in the video for Vamos A La Luz, a song from Argentinian artist Lux Mala. Within this gorgeous darkwave track, she dwells in the quiet aftermath of this kind of farewell, sitting in the space allowing for reflection and growth. These memories serve as reminders that relationships, in their beginning and ending, are profound teachers. The decision to part ways, though it may be draped in the immediate pain of goodbye, is ultimately a courageous step toward embracing the unknown and rediscovering oneself.

“Vamos a la luz,” translating to “Let’s go to the Light” in English, weaves a tale through its Spanish lyrics, capturing moments where words fall short in a drama tinged with minimalism. The track’s rhythm, driven by danceable electronic drums and complemented by a mellow, yet vibrant bass, is layered with continuous waves of synthesizers. Real strings eventually join, elevating the piece to its zenith, symbolizing the journey towards finding light at the end of a tunnel, all set to a backdrop that invites you to move with the music.

“It’s the first time I’ve released a brand new song in Spanish, and I felt a great relief to be able to get those feelings out of me,” singer Nathalie Astrada says. “This song is my way to making up with people that are not in my life anymore, people that I love but for some reason had to cut our ties, to see the light, feel better with my life, with myself, and to move forward…Although I like to wander around in the dark poetically, sometimes it is difficult to realize when a person you love is hurting you. Love blinds us. Love confuses us. Sometimes it is unconscious, sometimes it is not. That is why you should take care of yourself first, never let your guard down.”

This video, captured in the winter ambiance of Málaga, Spain,  illustrates the pain of solitude. Nathalie took a step back from the limelight to assume the role of director, wielding the camera with a keen eye for detail. Valle Gren stars as the central figure, illuminated by the festive lights that adorn Málaga’s streets during the Christmas and New Year celebrations, adding a poignant contrast to the theme of loneliness.

“Personally, I enjoy more to be behind the camera,” admits Astrada. “I like to take care of every single detail and reshoot the scenes as many times that is needed until it is perfect. Even when I know I’m an amateur filmmaker, with limited skills and tools, it makes me happy to put the images I have in mind into my songs.”

Watch the video for “Vamos a la Luz” below:

In an era marred by disillusionment, where the vestiges of purity and benevolence struggle to assert themselves amid the prevailing tumult, Nathalie Astrada has found a resonant voice. Her work as Lux Mala is tinged with a stark realism that borders on the pessimistic: a poignant testament to the contemporary condition. It is a solitary cry in the night, seeking to unearth beauty in the most shadowed corners of existence. In her narratives, there is an exploration of a paradoxical relief found within suffering, and a robust affirmation of rebellion as a conduit for strength. Astrada’s reflections offer a mirror to a world grappling with its own complexities, providing a canvas where the sombre and the sublime intertwine.

Based in Spain, her work reflects the complexities of her native Argentina, emphasizing themes of harshness and nonconformity. She independently produces her music and videos, maintaining creative control. In 2022, Nathalie released her debut album “Lux Mala” and three singles, followed by an EP in late 2022. She continues to evolve artistically, with new songs on the horizon. Pablo Abatte was the Audio Engineer for Lux Mala.

Vamos a la Luz by Lux Mala

Follow L U X M A L A:

YouTube
Bandcamp
Soundcloud
Spotify
Facebook
Instagram

The post Argentinian Darkwave Artist Lux Mala Debuts Video for Bittersweet Single “Vamos a la luz” appeared first on Post-Punk.com.

Source: Post-Punk.com

JUDAS PRIEST haben Mitte Januar mit “Crown Of Horns” einen weiteren neuen Song vom kommenden Studioalbum “Invincible Shield” veröffentlicht – seit heute gibt es auch ein Video zu “Crown Of Horns” bei YouTube.

Invincible Shield” erscheint am 8. März 2024. Die Band teilte schon im Oktober 2023 “Panic Attack” als erste Single und veröffentlichte dazu ein Lyrics-Video, im Dezember folgte ein Videoclip.

Auch zu “Trial By Fire”, dem zweiten Vorab-Song der neuen Platte, gibt es zwei Clips:  “Trial By Fire”-Video bei YouTube und Lyrics-Video zu “Trial By Fire”

Das 19. Album der britischen Heavy Metal-Band erscheint über Columbia Records.

JUDAS PRIEST Konzerte in Deutschland 2024
2024 sind JUDAS PRIEST wieder auf Tour, die Tour beginnt am 11. März 2024 in Glasgow und führt die Band im März und im Juli nach Deutschland. Karten gibt’s im Vorverkauf.

24.03.2024 Frankfurt – Festhalle
25.03.2024 München – Olympiahalle
27.03.2024 Dortmund – Westfalenhalle

01.07.2024 Hamburg – Barclays Arena
02.07.2024 Berlin – Max-Schmeling-Halle
04.07.2024 Nürnberg – ARENA NÜRNBERGER Versicherung
08.07.2024 Mannheim – SAP Arena
10.07.2024 Dresden –  Messehalle

JUDAS PRIEST “Invincible Shield” Tracklist
1. “Panic Attack” 5:25 (Official Video) (Lyrics-Video)
2. “The Serpent and the King” 4:19
3. “Invincible Shield” 6:21
4. “Devil in Disguise” 4:44
5. “Gates of Hell” 4:37
6. “Crown of Horns” 5:45 (Stream) (Video)
7. “As God Is My Witness” 4:35
8. “Trial by Fire” 4:21 (Lyrics-Video) (Official Video)
9. “Escape from Reality” 4:24
10. “Sons of Thunder” 2:58
11. “Giants in the Sky” 5:03

Deluxe edition bonus tracks
12. “Fight of Your Life” 4:15
13. “Vicious Circle” 3:00
14. “The Lodger” 3:46

 

Source: Vampster

Die Heavy Metal-Band HANDS OF GORO hat nach “Archduke of Fear” mit “Uncanny” einen zweiten Track ihres selbstbetitelten Albums veröffentlicht. Es ist das erste Album des US-amerikanischen Trios, welches aus Tom Draper (SPIRIT ADRIFT, POUNDER), Avinash Mittur (NITE, Ex-VORLUST) und Adrian Maestas (SLOUGH FEG) besteht.

“Hands Of Goro”, das von Drummer Avinash Mittur gemixt und von Justin Weis gemastert wurde, wird am 1. März 2024 via BSP Records erscheinen. Das Cover-Artwork stammt von Christie Crapeticio.

HANDS OF GORO “Hands Of Goro” Tracklist
1. Prince Of Shokan
2. Demonizer
3. Uncanny (Audio bei Bandcamp)
4. 21st Century Plague
5. You Have No Face
6. Waste Of Blood
7. End To End
8. Archduke Of Fear (Audio bei Bandcamp)

Source: Vampster

Four years have elapsed since the release of Profit Prison’s enigmatic “Dreams Of A Dark Building“ EP, and now, in the wake of a global pandemic, the elusive figure at the forefront of dungeon synth emerges once more from his metaphorical sepulchre. For Parker Lautenschlager, the Seattle-based virtuoso behind the solo venture, the interceding years have been anything but kind.

The capricious nature of existence has left its mark, compelling him to pour his heart into the very essence of his music.

In “Gilt,” Profit Prison’s first full-length venture, he delves deeper into the enigmatic realms of Italo and hi-NRG body music. Within this audacious exploration, the core elements that epitomize Profit Prison—such as evocative vocals and melodies that echo the groundbreaking work of synth forebears—are masterfully woven into the music, setting the stage for an otherworldly dance experience.

The lead single from the album, “Sophia,” stands out with its lush Moroder-inspired bassline and Kraftwerk-like sirens and sprechstimme. The combination, feeling at times like a delicious mashup of Trans-Europe Express and the theme to Midnight Express, creates a striking contrast between its enigmatically veiled vocals and an ethereal chorus that tantalizingly promises renewal, only to reveal a lament of total loss. The song  is rich with introspection and desire, capturing a longing for freedom, a place to call home, and meaningful connections, all while acknowledging the ephemeral nature of dreams and the poignancy of loss.

The eerie, lo-fi video was directed, filmed and edited by Jesy Fortino aka Tiny Vipers. The ambiance it conjures is akin to navigating through a surreal dream, where reality is turned on its head, and everything encountered is a mirror image or a shadow of something else. This landscape is characterized by inversions that upend the familiar, reflections that distort perceptions, and projections that cast forth images from the depths of the subconscious. In this realm, the boundaries between the tangible and the imagined blur.

Watch the video for “Sophia” below:

Parker has expanded the temporal scope of his compositions in his recent work, with the majority of tracks now extending to five minutes and culminating in the seven-minute finale of “A.R.P. (Amphetamine Research Project).” This closing piece, an almost progressive disco jam, evokes the essence of a lucid dream set against the backdrop of Studio 54’s legendary dance floor, blending the ethereal with the electric.

Gilt releases on 26 April via AVANT! Records.

Pre-order and pre-save here.

Gilt by PROFIT PRISONFollow Profit Prison:

Instagram
Bandcamp
LinkTree

The post Dark Synth Artist Profit Prison Returns in The Video for “Sophia” appeared first on Post-Punk.com.

Source: Post-Punk.com

Am 22.08.1983 veröffentlichten Depeche Mode ihr drittes Album „Construction Time Again“. Es war in vielerlei Hinsicht ein Meilenstein: Es war das erste Album, in dem Alan Wilder als vollwertiges Mitglied genannt wurde. Er selbst fühlte sich aber „viele Jahre lang als ‚das neue Bandmitglied‘“, wie er anlässlich der CD/DVD-Re-Edition erzählte. Darüber hinaus war es das […]

Source: Orkus

All the dreams you put on me
Hide beneath your modesty
Too late to trust
We all turn to dust
“Ashes to ashes, dust to dust” is a phrase from the Anglican Book of Common Prayer burial service. It echoes the words from Genesis 3:19, signifying the transient nature of the human condition. The phrase implies that humans are made from dust, and to dust they will return upon death, highlighting the cycle of life and death and the belief in the physical body’s return to the earth after life has ended. It’s often used to acknowledge the inevitability of death and the belief in a humble human origin and end – the perfect subject matter for longtime post-punk collaborators Shawn Foree (Digital Leather) and Bobby Hussy (Wristwatch, The Hussy and Whippets) performing together as TIT.

“Dust is a long long time coming,” muses Hussy. “We recorded a demo of this about 8 years ago and played it in Omaha at the classic watering hole O’Leaver’s around that time. That’s back when we were a four piece featuring Todd Fink from The Faint on synth, Noah Kohll from Surf Curse and Color Green on drums, Shawn Foree on synth and vocals, and myself on guitar, synth and vocals. We’ve since re-tracked it entirely and it finally came to life properly.”

The song, channeling Thomas Dolby, Legendary Pink Dots, Soft Cell, Suicide, and The Soft Moon alike, is a darkly infectious gem.  The lyrics express a narrative of betrayal and the inevitability of decay, highlighting themes of insincerity, desire, and the ultimate futility of these emotions. The repetition of “We all turn to dust” underscores the transient nature of life and relationships, suggesting that despite the intensity of feelings and the impact of others’ actions, everything eventually fades away.

Listen to “Dust” below:

TIT by TIT

The debut LP from TIT, ten years in development, showcases the dynamic exchange of deep vocals between its leading members, underscored by darkwave electronics and intricate synthesizers. The album also boasts a notable collaboration with Conor Oberst of Bright Eyes, who brings his distinctive voice to the industrial rock track “MGBF.” TIT initially emerged on the scene with a four-track EP in 2013, jointly released by Volar Records and FDH Records.

TIT’s self-titled debut LP is out on April 5, 2024.

Pre-Order Here

Follow TIT:

Bobby Hussey Instagram
Digital Leather Instagram

The post Fatalism and Decay — Dark Post-Punk Duo TIT Make Their Debut with “Dust” appeared first on Post-Punk.com.

Source: Post-Punk.com

You’re not up on your private eye literature.
When they’re in trouble, it’s always their
Girl Friday who gets them out of it…
His Girl Friday The 13th emerges as a compelling narrative spun by Kai Kaldro, a burgeoning talent in the New York City rock scene. This track, the third single from his debut album Post Coital, Pre Mortem, follows the release of the titular track and Redial For Remnants.

Kaldro’s latest industrial metal anthem, in the vein of classic tracks by luminaries such as KMFDM and My Life With The Thrill Kill Kult, has carved its niche within the horror film soundscape, securing spots in the soundtracks of several eagerly anticipated films. Notably, Kaldro will share the screen in THE FARMHOUSE MURDERS alongside esteemed actors such as Larry Hankin and Marlon Taylor, and in SKATE TO HELL featuring Lorelei Linklater.

In a fashion akin to his previous singles, Kaldro’s lyrics in His Girl Friday The 13th offer a satirical take on the opulence of the golden age of Hollywood and film noir, intertwined with anachronistic elements of horror, gothic, and heavy metal. His vocal prowess spans a broad range, from a “1940s Betty Boop falsetto” to a guttural metallic baritone, illustrating a gender-fluid narrative reminiscent of Norman Bates’ split personality in Psycho. This duality is further emphasized in Kaldro’s visual representation, notably in the music video for Post Coital, Pre Mortem.

The song’s lyrics weave a narrative that delves into themes of duality, seduction, and the macabre underbelly of Hollywood glamour. Through references to classic private eye literature and film noir, Kaldro crafts a world where the archetypal ‘Girl Friday’—the dependable assistant who rescues her boss from various predicaments—becomes a central figure in a twisted tale of sin and salvation. The repeated motifs of corsets, evil twins, and full moons evoke a sense of Gothic horror intertwined with the allure of forbidden desires and the duality of human nature.

Kaldro’s lyrical prowess shines as he juxtaposes the glamorous facade of Hollywood with its darker, more sinister aspects. Lines like “I am your red velvet sado-suicide” and “Fishnets hide my franken-stitches” paint a vivid picture of a world where beauty and horror coexist, and where the glitz and glamour of the silver screen mask a more troubling reality. The chorus’s catchy “win-win sin-sin” encapsulates the song’s playful yet dark tone, suggesting that in this world, indulging in one’s darker impulses is not just accepted but celebrated.

The song’s raucous climax, with its references to the vanity of Academy Awards, critiques Hollywood’s superficiality and the often arbitrary nature of success and recognition in the entertainment industry. Kaldro’s use of horror and noir elements pays homage to these genres and serves as a metaphor for the masks we wear and the roles we play in the pursuit of fame and validation.

As Kai explains:

“I first heard the term “His Girl Friday” at age 11 when I discovered one of my all time favorite films, Alfred Hitchcock’s REAR WINDOW, as Grace Kelly uses it while bantering with Jimmy Stewart about the efficacy of private detective ethics… It was so sexy, with such mystique and was an indicator of all the things that were being repressed and concealed by that hypocritical old stodgy-assed Hollywood Hays Code. I always knew I was gonna grow up to debauch that visage with paranormal rock n roll extortion.”

Listen below or via Spotify here:



In His Girl Friday The 13th, Kai Kaldro delivers a sonic exploration that is as much a critique of Hollywood’s golden era as it is a homage to its stylistic and thematic elements. The song’s lyrics, rich with references to film noir and private eye literature, paint a vivid picture of a world where the lines between hero and villain, savior and seducer, are blurred. Kaldro’s unique vocal style, which oscillates between a haunting falsetto and a powerful baritone, adds layers of complexity to the narrative, inviting listeners to delve into the murky depths of Hollywood’s glamorous façade.

The track’s inclusion in the soundtracks of upcoming horror films further cements Kaldro’s position as a musician capable of bridging the gap between music and cinema, creating an immersive experience that transcends traditional genre boundaries. With His Girl Friday The 13th, Kaldro not only showcases his musical prowess but also his ability to weave intricate narratives that resonate with listeners and viewers alike.

As Kaldro continues to make waves in both the music and film industries, it’s clear that his work is not just an artistic expression but a commentary on the dualities that define our cultural landscape. Through his music, Kaldro invites us to question the narratives we’ve been sold and to look beyond the surface of the stories we tell.

In an era where art and entertainment are often seen as separate entities, Kaldro’s His Girl Friday The 13th stands as a testament to the power of creative fusion, challenging us to rethink the boundaries of genre and the role of the artist in society.

Follow Kai Kaldro:

Instagram
Spotify
YouTube
IMDb

The post Kai Kaldro Debuts Industrial Rock Anthem “His Girl Friday The 13th” appeared first on Post-Punk.com.

Source: Post-Punk.com

The Chamber Dark scene in 2023 was saturated mostly with projects of a Medieval and Pagan orientation. Good and bad, famous and unknown, dance and lyrical. There were not many Ethereal releases in 2023, but one ancient project returned from a long hiatus and created a miracle. Covered genres: Ethereal, Neoclassics, Neofolk, Dark Folk, Death Country, Medieval Neofolk

Source: Reflections of Darkness

Mit „Brüder“ liefert BÜLENT CEYLAN eine weitere Singleauskopplung aus seinem Metal-Album „Ich liebe Menschen“. Ein Longplayer, dessen Botschaft für sich steht. Denn BÜLENT CEYLAN liebt alle Menschen – all ihrer Verfehlungen und Unzulänglichkeiten zum Trotz. Weil er einer von ihnen ist. Und sich ein friedliches Miteinander wünscht. Ohne Hass und Hetze. Dafür mit Liebe. Ein Ziel, für das er einsteht. Dabei stets an seiner Seite: seine Brüder.

Die neue Single „BRÜDER“ von BÜLENT CEYLAN x SALTATIO MORTIS sowie das dazugehörige Video, erscheinen am 02.02.2024 via OneFourAll Music (Universal Music) auf allen digitalen Plattformen: https://umg.lnk.to/Brueder
Das Album erscheint am 01.03.24
Album vorbestellen: https://umg.lnk.to/IchliebeMenschenAlbum

BÜLENT CEYLAN mit Band – Ich Liebe Menschen Tour 24
20.04.24 Stuttgart – Im Wizemann
21.04.24 Frankfurt – Zoom
24.04.24 Hamburg – Große Freiheit
25.04.24 Berlin – Astra
27.04.24 Hannover – Capitol
28.04.24 Köln – E-Werk

 

Source: Amboss-Mag.de

Here’s quite a surprise that was offered us today! In collaboration with Cold Spring we...

Source: Side Line

Die Hard Rock-Band NORTH SEA ECHOES hat mit  “Unmoved” einen weiteren Song ihres kommenden Albums “Really Good Terrible Things” veröffentlicht. Es ist das erste Album des neuen Projekts von RAY ALDER (FATES WARNING, A-Z, Ex-REDEMPTION) und JIM MATHEOS (FATES WARNING, OSI, ARCH/MATHEOS).

Erscheinen wird das Album am 23. Februar 2024 via Metal Blade. Im Januar stellte das Duo mit “Open Book” eine erste Single vor.

NORTH SEA ECHOES “Really Good Terrible Things” Tracklist
01. Open Book (Lyric-Video bei YouTube)
02. Flowers in Decay
03. Unmoved (Video bei YouTube)
04. Throwing Stones
05. Empty
06. The Mission
07. Where I’m From
08. We Move Around the Sun
09. Touch the Sky
10. No Maps

Source: Vampster

RELEASE THE POISON 

YOUR HEART BEATING FASTER

NO ANTIDOTE  WILL SET YOU FREE 

INJECT YOUR VENOM 

In the sultry underworld of Montreal, SEXSOMNIA spins a web of intrigue with their latest track, a seductive ode to the Nigrum Viduam or “black widow.” This creature, notorious for its lethal kiss and the dark romance of its mating rituals, becomes a metaphor for a dangerous liaison, a fetishistic flirtation with the fatal. The song bearing this dangerous name weaves a hypnotic tale of venomous love, where the thrill of peril and the allure of the forbidden entwine in an ancient dance. With each pulsating beat and haunting lyric, SEXSOMNIA captures the essence of being ensnared in a toxic embrace, where the quest for liberation is as elusive as the intoxicating promise of love itself.

This subject is nothing new to SEXSOMNIA, who have already long ventured into the shadowy world of parasomnia. Their name refers to the hidden desires that stir in the night, more intense than related conditions like sleepwalking. This phenomenon blurs the lines between consciousness and unconsciousness, prompting a deep exploration of the self amidst a Freudian backdrop. With this outfit, Philip Faith (WESTERNDREAM, Rise of the Fallen, Hotel Noir) has crafted a unique musical endeavour. SEXSOMNIA melds electrobeats, analogue synths, ethereal soundscapes, and female vocals, distinctively featuring dual live bass guitars. Bassist Pat Gaudette (Unruled, Hexapheen, and NowFuture) and Michael Rien (Earth Chronicles, Special Ops) round out the band’s sound.

With Nigrum Vuduam, corrosive basses, pounding dance-floor beats, baritone guitar, melodious bass lines, and dark atmospheres channel The Cure, Giorgio Moroder, Propaganda, Trentemøller, Joy Division, Ladytron, V.A.C, and David Lynch her superb make-up and stylist skills for the video.

Watch below:

“Transcendent” is out today via Manic Depression Records, following their Digital EP “Dormant” last June.

Listen below, and order here:

MD157 – SEXSOMNIA “Transcendent” by Sexsomnia

Follow SEXSOMNIA:

Facebook
YouTube
Spotify
Instagram

The post Beware of the Spider’s Kiss — Montreal Darkwave Outfit Sexsomnia Debut Video for “Nigrum Viduam” appeared first on Post-Punk.com.

Source: Post-Punk.com

Ronnie Stone carves a unique path, merging the comforting echoes of the past with the crisp edge of the future. A stalwart of the New York City music scene, Stone showcases his extensive production and musicianship skills from the depths of a hidden studio, surrounded by a collection of quintessential ’80s synthesizers. In this enclave, he produces tracks that balance the energy of dance anthems with the depth of introspective tunes, each a shining example in the realm of dance-pop, resonating with the essence of both the flamboyant and the reflective.

Today he releases a new LP and an intriguing new video for the opening single, and title track Ride Again.

Stone sets the scene for the Rosa Luna-directed lo-fi extravaganza: “A lonely synthesizer enters like sand swirling in the desert. Through the haze of the heat, we hear the deep thumping of a four-on-the-floor kick drum, and Ronnie’s solemn tenor comes into focus. He describes running out of gas on the freeway, leaving behind his motorcycle, and wandering through the desert, a broken man searching for meaning in his life. He finds his way to a strange city, where he seeks guidance from a psychic who tells him he has made a terrible mistake.”

Watch the video for “Ride Again” below:

The Diamond finds Ronnie Stone stripping down to a raw, mechanical core, weaving together jarring bass lines with haunting synths and vocals. The track is a masterclass in minimalist cool, laced with killer hooks. Stone elevates his dark electro-synth game to new heights with this number, channeling the gritty essence of pioneers like Tobacco and Front 242, while nodding to the early, gritty days of Nine Inch Nails’ Pretty Hate Machine. It’s a bold step forward for Stone, one that solidifies his place as a dark wizard of the dance floor.

“I wanted the lyrics to be more conceptual and more graphic novel-esque to fit more in with the sound I was channeling,” says Stone. “The song takes place in a retro-dystopian future inspired by Haruki Murakami’s 1Q84. In a surreal and seedy narrative drawing influence from crime films like Natural Born Killers and Pulp Fiction, it details the thoughts of a woman on a mission to do whatever it takes to survive. She crosses a bridge, seduces a guard, steals some money, and slits the throat of anyone who gets in her way.”

Although nostalgic and light sounding, Riding In The Rain punches you square in the gut. Navigating his hometown’s transformed streets, a man grapples with a deep sense of alienation and despair in the wake of a departure. Familiar places now seem distant, tinged with sorrow. He rides under relentless rain, confronting the pain and change, haunted by memories and a future irrevocably altered.  “As I was writing this song, I was thinking about movies such as Taxi Driver, Say Anything,” says Stone. “There is a vivid section of Zen And The Art of Motorcycle Maintenance where the narrator (Phaedrus) describes riding his motorcycle straight into a torrential downpour. This imagery was on my mind when writing this song.”

Backstreet Leather Toy (ft. Sedona) has that blue-eyed soul vibe, channeling Wang Chung and Hall & Oates alike, with delicious synth flourishes tinkling throughout. That ‘bad boy’ had better watch his back with a R&B groove this smooth, modernized with an Electropop sheen and a touch of George Michael. The final, eponymous, single was inspired by the worlds and sounds of techno and house.

Trippin’ the light fantastic? Chemicals is a groovy laundry list of hallucinogenic pleasures crafted for club euphoria, channeling the retro funk of Louis Cole and Knower. Calle Loiza follows with the sweet spot of wistful synth cheesiness – we can almost picture Michael McDonald frantically rushing to the studio to sing backup on this path to paradise. Daddy’s Last Night In Town channels that samba beat off your childhood Casio, replete with orchestral hooks and a funky wah-wah bassline. Disappear Here moves solidly into Prince territory, speeding up that funk and fuzzing it out with call-and-response delivery. The album closes out with a much chiller vibe: Return 2 Love, another Hall & Oates-flavoured ballad.

Verdict: all killer, no filler. Blast this one loud for your Valentine and watch the magic happen.*

*Disclaimer: we cannot guarantee WHAT kind of magic, so use this powerful mojo with caution!

Listen to the album below and order here:

Ride Again by Ronnie Stone

Ronnie’s hitting the streets of America with a cross-country tour, kicking off at Trans-Pecos in NYC and snaking though the northeast, midwest, and Pacific coast.

Tour Dates

2/17 – NYC, NY @ Trans Pecos w/ Nuxx Vomica, Public Circuit
3/20 – Philadephia, PA @ The Dolphin
3/21 – Cambridge, MA @ ZuZu w/ Tyler – Sactuary (DJ night)
3/26 – Cleveland, OH @ Dunlaps
3/27 – Columbus ,OH @ Dirty Dungarees
3/29 – Chicago, IL @ FeelTrip w/ Wingtips
4/3 – St. Louis, MO @ Platypus
4/5 – Witchita, KS @ Kirby’s Beer Garden
4/6 – Tulsa, OK @ Showpony
4/8 – Denver, CO @ GLOB
4/9 – Salt Lake City, UT @ International Artist Lounge
4/13 – Seattle, WA @ Bad Bar
4/14 – Olympia, WA @ The Crypt w/ rosetan
4/16 – Portland, OR @ Kelly’s Olympian
4/17 – Longview, WA @ Stash Records
4/24 – Los Angeles, CA @Permanent Records w/ Primer
4/26 – Longbeach, CA @ Vine w/ They / Live, Primer
4/30 – El Paso, TX @ Rosewood w/ Primer
5/1 – San Antonio, TX @ Cream w/ Zen Handler, Delenda, Primer
5/2 – Austin, TX @ Hotel Vegas w/ Primer
5/3 – New Orleans, LA @ Poor Boys
5/8 – Gainesville, FL @ Portal 4
5/9 – Orlando, FL @ Will’s Pub w/ KT Kink, Mother Juno
5/10 – Jacksonville, FL @ The Walrus
5/11 – St. Pete, FL @ The Bends
5/13 – Savannah, GA (Houseshow)
5/14 – Athens, GA @ Flicker
5/16 – Atlanta, GA @ Innerspace
5/18 – Nashville, TN @ The Cobra w/ Nuxx Vomica, Puerta Negra, Korine, Xibling, Blood Handsome, Inva//id, Moon 17 – She’s Lost Control: D3MON N1GHT festival
5/19 – Memphis, TN @ Lamplighter Lounge
5/20 – Murphressboro, TN (Houseshow)
5/22 – Louisville, KY @ Zanzabar w/ Buddy Crime, Angel 004
5/23 – Bowling Green, KY – SECRET LOCATION w/ Baby Chips, Satan’s Halo
5/24 – Asheville, NC @ Static Age Records w/ Cold Choir, Jessie Slaughter
5/25 – Richmond, VA (Houseshow)

Follow Ronnie Stone:

Website  
Instagram
Spotify
 iTunes
Deezer
 YouTube
Amazon

The post NYC Dark Synth Pop Artist Ronnie Stone Debuts Video for Title Track From New Album “Ride Again” — Plus Tour Dates appeared first on Post-Punk.com.

Source: Post-Punk.com

Die Epic Symphonic Metal-Band CATHUBODUA hat mit “Interbellum” ein neues Album angekündigt. Es ist nach “Continuum” (2019) das zweite Album der Belgier und erzählt die Geschichte von der Entstehung und Zerstörung einer Kriegsgöttin – von großen Hoffnungen, Macht und Träumen bis hin zu verlorener Liebe und dem Umgang mit einer ewig brennenden Schuld. Als Vorgeschmack steht das Stück “Effigy Of Aftermath” als Clip bei YouTube bereit.

Reinhören kann man außerdem in die erste Single “Foretelling“, zu der es auch ein Video gibt.

“”Foretelling” erzählt die Geschichte der Prophezeiungen von Badb, einer keltischen Kriegsgöttin, die mit Cathubodua verwandt ist. Sie prophezeite das Ende der Welt, alles Böse, das sich ereignen würde, und den allmählichen Abstieg der Menschheit in Vergessenheit und Sünde”, erklärt Sängerin Sara Vanderheyden.

“Interbellum” wurde von Yarne Heylen (CARNATION) im Project Zero Studio produziert und gemixt und von Erwin Hermsen gemastert. Das Cover-Artwork stammt erneut von Jelle van Loo. Erscheinen wird das Album am 23. Februar 2024 via Massacre Records.

CATHUBODUA sind Sängerin Sara Vanderheyden (ILUSEN’S FALLACY), Bassist Peter Thielemans, Violinist Arvid Vermote, Gitarrist Robin Ritzen (DAEMONOS, NEVERUS), Drummer Harald Bouten (NECROTESQUE, PICTURA POESIS, DAEMONOS) und Gitarrist Tom Van den Bosschelle.

CATHUBODUA “Interbellum” Tracklist
01. Effigy Of Aftermath (Video bei YouTube)
02. Foretelling (Video + Stream)
03. Will Unbroken
04. Amidst Gods
05. The Mirror
06. Goddess Fallacy

CATHUBODUA Tourdaten
23.02.2024 BE Bree – Ragnarok Live Club
24.02.2024 FR Lille – La Brat Cave
09.03.2024 DE Nordhorn – Grafschafter Metalfest
13.04.2024 BE Gullegem – Gullegem Metal Fest
31.10.2024 BE Diest – Club Hell

Source: Vampster

Die englische Anti-Pop / Neo Punk-Band GÜRL hat nach dem Video zu “Hexy” mit “Boys In The 90s” eine neue Single mitsamt Video-Clip veröffentlicht. Produziert wurde der Song von Rhys May.

“Beim Song geht es darum, arm in einer Sozialsiedlung aufzuwachsen, auf eine Sonderschule zu gehen und von Kindern verprügelt zu werden, die einen für hässlich halten… aber dann nach Hause zu kommen und diese 90er-Jahre-Filme zu sehen, in denen Männer nicht wirklich als typisch männlich oder gut aussehend dargestellt werden, sondern stattdessen androgyn und schön. Das zu sehen und zu denken: Warum kann ich nicht so aussehen?”, fragt Sänger Josh Dalton.

GÜRL wurde in Bristol von Sänger Joshua Dalton und Gitarrist Jonny Turner gegründet. Komplettiert wird das Quartett von Bassistin Jay Parker und Drummer Thomas John.

GÜRL “Hexy” (Video bei YouTube)

GÜRL “Boys In The 90s” (Video bei YouTube)

Source: Vampster

Die Progressive / Death Metal-Band KELEVRA hat mit dem Video zu “The Distance” eine erste Single ihres kommenden Albums “Oneiric” veröffentlicht. Es ist nach zwei EPs das erste Album der Kanadier und wird am 8. März 2024 erscheinen.

KELEVRA sind Drummer Dylan Dobrescu, Gitarrist Brett Forst, Sänger Matt Fraser, Bassistin Adrienne Mahoney und Gitarrist Mat Yarotski.
KELEVRA “Oneiric” Tracklist
1. Atoned
2. Cleanse With Fire
3. No Voice
4. The Distance (Video bei YouTube)
5. Self-Extinct
6. The Mad Wind
7. Despite What You Owe
8. Lifeblood

Source: Vampster

Auch WHITECHAPEL sind die eigenen Traditionen heilig: Jedes Jahr spielt die Deathcore-Band kurz vor Weihnachten ein Benefizkonzert in ihrer Heimatstadt Knoxville. Dass nun auch wir am anderen Ende des Globus daran teilhaben dürfen, hat einen besonderen Grund: „Live In The Valley“ soll einen Schlussstrich unter den aktuellen Albumzyklus ziehen. Folglich stehen die beiden thematisch zusammenhängenden Platten „The Valley“ (2019) sowie „Kin“ (2021) im Fokus des 60-minütigen Sets, dem die US-Amerikaner mit „This Is Exile“ und „The Saw Is The Law“ zwei Klassiker als Bonus-Dreingabe spendiert haben.

Ein kleines Präsent zu den Feiertagen? Sicherlich möglich, doch in jedem Fall willkommen, denn zuvor lassen es WHITECHAPEL für ihre Verhältnisse ruhiger angehen als gewohnt. „Anticure“, „Orphan“ und „Hickory Creek“ setzen vorwiegend auf gemächliches Tempo und Klargesang, den Phil Bozeman im Live-Format im Allgemeinen ähnlich souverän darbietet wie sein charakteristisches Growling. Es ist nicht das einzige Markenzeichen der Formation, das vom transparenten Mix profitiert: Auch die drei Gitarren sind in Songs à la „Doom Woods“ oder „I Will Find You“ differenziert auszumachen.

WHITECHAPEL zeigen sich authentisch und unverfälscht
Gleichzeitig ist „Live In The Valley“ kein überproduzierter Mitschnitt aus der Konserve: Weder künstlich aufgeblasen noch von allen natürlichen Kanten befreit, zeigen sich WHITECHAPEL authentisch und unverfälscht. Dass mancherorts die Fade-Outs zwischen den Stücken zu aggressiv gesetzt sind, ist gerade deshalb etwas ärgerlich, da wir so kurzzeitig aus der Immersion gerissen werden.

Schlussendlich ist dieser Umstand jedoch eine Kleinigkeit, welche einem gelungenen – wenngleich nicht essentiellen – Konzert-Album keine größeren Mengen Sand ins Getriebe wirft. Daher dürfen wir uns am Ende des Tages nahezu uneingeschränkt freuen, dass uns das Quintett mit etwas Verzögerung doch an der siebten Auflage ihrer alljährlichen Benefizshow teilhaben lässt. Schließlich markiert „Live In The Valley“ nicht nur das Ende einer Ära, sondern ist gleichzeitig Dokument einer lang gepflegten Tradition – und damit selbst einer Band wie WHITECHAPEL in gewisser Weise heilig.

Veröffentlichungstermin: 26.01.2024

Spielzeit: 59:33

Line-Up
Phil Bozeman – Vocals
Ben Savage – Gitarre
Alex Wade – Gitarre
Zach Householder – Gitarre
Gabe Crisp – Bass

Produziert von Zach Householder

Label: Metal Blade

Homepage: https://whitechapelband.com/
Facebook: https://www.facebook.com/whitechapelmetal

WHITECHAPEL “Live In The Valley” Tracklist
01. When a Demon Defiles a Witch
02. Forgiveness Is Weakness
03. Brimstone
04. Hickory Creek
05. Black Bear
06. Doom Woods
07. I Will Find You
08. A Bloodsoaked Symphony
09. Anticure
10. Lost Boy (Video bei YouTube)
11. Orphan
12. This Is Exile (Video bei YouTube)
13. The Saw Is the Law

Source: Vampster

Das WAR AGAINST WAR Festival 2024 steht vor der Tür und lädt im November 2024 ins Berliner ORWOhaus ein. Entgegen der ursprünglichen Ankündigung wird das Festival auf zwei Tage aufgeteilt und findet nun am 8. und 9. November 2024 statt.

Auch beim Line-Up gibt es einige Änderungen. Wie der Veranstalter selbst auf seinen Social-Media-Kanälen mitteilt:

“UADA, GHOST BATH und CLOAK treten dem Line-up bei.FJOERGYN müssen leider absagen, da sie aktuell keinen Schlagzeuger mehr haben und ihre Zukunft unsicher ist. ANCST haben sich leider gegen eine Teilnahme beim Festival entschieden, keine weiteren Kommentare / Äußerungen wird es diesbezüglich geben.”

Die bisher angekündigten Bands für das WAR AGAINST WAR 2024
(Stand: 01.02.2024)

HARAKIRI FOR THE SKYKANONENFIEBER
THYRFING
THE COMMITTEE
EMINENZ
HORN
FINSTERFORST
TOTENWACHE
INFERNO
FJOERGYN
NORNIR
NON EST DEUS
VULTURE INDUSTRIES
Путь (Russisch für “Pfad”)
ANTRISCH
NAZGOR
UADA
GHOST BATH
CLOAK 

Die Tickets sind bei Koka36.de und bei Eventim.de erhältlich.

Empfehlung
Live-Reviews

WAR AGAINST WAR 2023: Der Festivalbericht – ORWOhaus, Berlin

War against war

folk metal

black metal

viking metal

symphonic metal

vonSebbl22. November 2023

Source: Vampster

The Belgian goth pop duo Lovelorn Dolls follows-up its latest single “Dream World” with “Beautiful...

Source: Side Line

Beneath the vibrant hum of Brooklyn’s streets, in the underground haven of C’mon Everybody, a new band in town are poised for their close up with Mister DeMille. In the creative crucible of Brooklyn in the late 2010s, a group originally d믭 The Cover-Ups was born, initially convened for the merriment of a birthday gathering. However, the trio’s journey quickly expanded beyond these humble origins, prompting a reinvention as Candy & The Kids in 2020. This trio of synth-punk wunderkinds—lead vocalist Brett Rubin, guitarist Michael Jurin (stellastarr*), and synth virtuoso Bret Winans—are gearing up for an evening where explosive stage presence is the name of the game – and nothing is as you expect.

“Let’s get weird,” they gleefully announce, grabbing random props from drag shows past. A mannequin leg here; a six-foot foil moon there. “Be quiet, I’m having my Paper Moon moment,” someone exclaims, as Rubin tosses his hands through the most glorious waterfall mullet this side of Kentucky.

Welcome to the theatrical, fantastical world of Candy & The Kids – a blessed combo of classic glam rock, chaotic good Riot Grrl spirit, 1960s girl groups, the battiness of the B-52s, and a rainbow version of Black Flag. Although the towering Rubin cuts a striking silhouette, his androgynous, coquettish voice is truly extraordinary, channeling the primal scream yelps of Kathleen Hanna, Karen O, and Siouxsie Sioux rather than, say, the expected croon of Jeffrey Lee Pierce.

Their live show is infectiously energetic, despite the over-enthusiasm of the fog machine shrouding these characters in mystery. Rubin goads the audience with his wryly confrontational DIY fashion, certainly inspired by Vivienne Westwood. Flanked by Jurin and Winans keeping time and intermittently shouting out call-and-response lyrics, Candy & The Kids’ onstage combustion ignites the normally-apathetic crowd into a frenzy of dance, beer splashing everywhere. This is pure, raw NYC punk, the kind of music we grew up wishing we could see at CBGB, smothered in a delicious sugary frosting. These sweet kids bring down the house.

Candy & The Kids are set to debut with The Cover-Up, dropping on January 30, 2024. This seven-track EP is a dynamic collection of covers, delving into the discographies of Metric, The Gun Club, Le Tigre, Siouxsie and the Banshees, Romeo Void, and Bauhaus, for starters. It’s a rich fusion of gritty synth-pop, sharp-edged grooves, and – naturally – a screamin’ sax, crafted to set your hips in motion with its infectious rhythms.

The band plans to mark their release of “The Cover-Up” with a limited-edition cassette, only 50 copies available; featuring all 7 tracks plus two original tracks, showcasing what’s ahead in 2024. Order the cassette at their Bandcamp here.

Follow Candy & The Kids:

Instagram
YouTube
Bandcamp

Photo: Alice Teeple
 

Photo: Alice Teeple
Photo: Alice Teeple
Photo: Alice Teeple

The post Candy & The Kids Debut “The Cover-Up” Album — Featuring Covers of Siouxsie and the Banshees, Romeo Void, and More! appeared first on Post-Punk.com.

Source: Post-Punk.com

I suffered your face
It took the spaces of my heart
I took a chance in your romance
It fell apart
(I’m hypnotized)
Enduring life’s tumultuous periods mark us deeply; the triumph of survival signifies a profound internal rebirth and transformation. The person in the mirror may seem altered, evolved from naïveté to resilience through the crucible of adversity, leading to a complex mix of loss and empowerment. This reflection involves reconciling the past and present selves, mourning who we were – and celebrating who we’ve become. It’s in this nuanced space that we recognize our most significant achievements stem from internal growth, reshaping our self-perception and life narrative. The proverbial ‘dark night of the soul’ leads us down the path to enlightenment and finding our self-worth.

Hotter than Georgia asphalt: enigmatic dark synth-pop act Teardux is keeping their momentum forward while reclaiming the past with the debut of their electrifying new dancefloor banger, REINS.

The duo, featuring Valerie Andra’s haunting vocals and Dylan Anderson’s masterful synthesis of beats and melodies, ignites the night with their captivating blend of sound.

Andra’s ethereal voice cuts through the darkness, guiding listeners like a beacon, while Anderson’s mastery over the synths weaves a tapestry that is as electrifying as it is eerie. Their unique take on darkwave is reminiscent of iconic acts like Pet Shop Boys, Xymox, and Leathers, but with a distinct dance music edge that sets them apart in the underground music scene.

“REINS is a continuation of our last single MEND conceptually,” says the band. “While MEND was written about a destructive and unrequited relationship, REINS is the aftermath of said relationship. It’s about the bittersweet victory of finding your way out of such a draining endeavor and having a bit of a reflection on it. Where you almost don’t even recognize the person you were while under the cancerous spell.”

Listen below via Bandcamp, and find the song on Spotify here:

REINS by Teardux

Follow Teardux:

Instagram
Spotify
Apple Music

REINS by Teardux

The post Atlanta Dark Synth Pop Duo Teardux Reclaim Their Power With New Single “REINS” appeared first on Post-Punk.com.

Source: Post-Punk.com

In his latest album The Bloom of Performance, Mark Trecka, a sound artist, singer, and organizer (originally from Chicago and now based in France), blends sound art textures and hypnotic, looping elements that have distinguished his work and garnered widespread recognition. The Bloom of Performance introduces a harmonious blend of these elements with the rich, emotive tones of art pop, post-punk, and dream pop. The resulting sound draws parallels with the unique styles of Dirty Beaches, Cindytalk, Circuit Des Yeux, This Mortal Coil, and David Bowie – something novel, yet familiar.

The initial single from the album, Wrestled To Regard, emerges as a contemplative exploration, reminiscent of the understated elegance found in the works of David Sylvian or the experimental phase of Scott Walker during his Tilt period. The composition is marked by its sparse bass and the resonant depth of the vocals, a Lynchian moment. Trecka’s vocal range is a study in dynamism, with moments of soaring elevation and grand pathos as the track moves with a deliberate pace akin to a languid stroll through a tunnel within some ethereal realm. As the piece reaches its bridge, the piano expands, unfurling a sound that could only be described as beautifully psychedelic.

“There’s no grand, personal narrative about this record that I want to share with the public,” Trecka says. “But I will say this: I very much wanted to make a record that I would want to listen to; that –– if I encountered it –– I would be compelled to share, to put the songs on mixtapes for my closest friends. I wanted to make the kind of record that might alchemize pain and anxiety and madness for those friends.”

Listen to “Wrestled To Regard” below:

The Bloom of Performance by Mark Trecka

The Bloom of Performance stands as one of Trecka’s most ambitious endeavors, enriched by the adept engineering and co-production talents of Sam Skarstad from Yellow Eyes. Set for release on 23 February, the album was a year in the making, featuring collaborations with Martin Courtney of Real Estate and Evan Hydzik of Pillars and Tongues.

Trecka is co-founder and lead organizer of the Beacon Prison Books Project, a volunteer-run solidarity program that provides free books to people incarcerated throughout New York State.

Follow Mark Trecka: 

Website
Bandcamp

The post Listen to the Minimalist Art Pop of Mark Trecka’s New Single “Wrestled To Regard” appeared first on Post-Punk.com.

Source: Post-Punk.com

33 (!!) Jahre nach dem ersten und einzigen Album von 1991 erscheint mit "eNdgame" ein neues Werk. CYBERAKTIF, bei diesem musikalischen Projekt hier kann mit Fug und Recht von einer Industrial-Supergroup sprechen. Dahinter stecken die kanadischen Ikonen cEvin Key (Skinny Puppy) und Bill Leeb aka Wilhelm Schroeder sowie Rhys Fulber (Front Line Assembly), der an die Stelle des viel zu früh verstorbenen Gründungsmitgliedes Dwayne Goettel getreten ist. Bereits die zwei Vorauskopplungen "You Don't Need To See" und "A Single Trace" ließen Großes erahnen.
Veröffentlichung 02.02.2024Label: Artoffact Records

Source: Hell Zone

  AL1CE has enjoyed a steady stream of releases while maintaining a rigorous touring schedule. Now, with a scheduled appearance at this year’s Dark Force Fest, the Los Angeles electro/rock band has announced dates for a spring tour, with plans to revamp the show with an even more extravagent setup – incorporating more lights, updated […]

Source: EBM.gr

 
Barry Adamson remains one of the most enigmatic and singular forces in music, heralded for his adventurous blends of jazz, soul, pop, post-punk, and electronica. Now, he has announced the release of his tenth studio album, Cut to Black, along with a U.K. and European tour [..]

Source: RE:GEN Mag

Das dynamische Duo Chris Dupont & André Schitteck lässt sein viertes Studioalbum "KapitalmarX" auf die Menschheit los. Dafür war es auch höchste Zeit, denn seit dem letzten Longplayer "Alles auf Null" (damals noch beim Label EMMO.biz) sind sieben lange Jahre vergangen. So gibt es nun mit 13 neuen Tracks Oldschool-Anhalt-EBM voll eins auf die Zwölf.
Veröffentlichung: 02.02.2024

Source: Hell Zone

Die Synth- / Metalcore-Band SILENT PLANET hat präsentiert ihr aktuelles Album “SUPERBLOOM” mit einem Clip zum Titeltrack bei YouTube.

Ebenfalls als Preview verfügbar: das Video zum Track “Offworlder” bei YouTube, der Clip zu “Anunnaki” bei YouTube sowie das Musikvideo zum Track “Collider” bei YouTube.

Zuvor hatte man eine weitere neue Single veröffentlicht: “Antimatter” kann man sich bei YouTube ansehen. Der Track folgt auf das Studioalbum “Irridescent” (2021) und weicht mit seinem stärkeren Fokus auf elektronische Elemente vom Material der letzten Platte ab.

“SUPERBLOOM” erschien am 3. November 2023 via Solid State Records, das Artwork gestaltete MDRNDVSN.

SILENT PLANET “SUPERBLOOM” Tracklist
1. Lights off the Lost Coast
2. Offworlder (Video bei YouTube)
3. Collider (Video bei YouTube)
4. Euphoria
5. Dreamwalker
6. Antimatter (Video bei YouTube)
7. :Signal: (Visualizer bei YouTube)
8. Anunnaki (Video bei YouTube)
9. The Overgrowth
10. Nexus
11. Reentry
12. SUPERBLOOM (Video bei YouTube)

Source: Vampster

Larsovitch emerges as the latest torchbearer of an audaciously inventive sound, weaving together the stark austerity of Greek minimal synth with the brooding, introspective depth of Russian-speaking post-punk. This enigmatic act is on a mission to set the dance floors ablaze, not with mere beats, but with a revival of the hedonistic zeal of bygone eras. Their sound merges the warmth of guitar strings with the electronic buzz of silicon circuits, set against dance-floor rhythms, punk energy, and new-wave vibes.

This can be seen in how Larsovitch gleefully channels the haunting cold wave influence of She Past Away and Lebanon Hanover and juxtaposes them against the impactful sounds of Kino, Siekiera, Sudno, and Molchat Doma. This synthesis not only showcases Larsovitch’s ability to navigate through a vast spectrum of soundscapes but also highlights their commitment to creating a universal rhythm that breaks down linguistic barriers and unites audiences in a collective dance experience. Their music becomes a melting pot of cultural influences, each track a mosaic of global sounds inviting listeners to embark on an auditory experience that is both familiar and refreshingly new.

“Singing in French is difficult, writing in French even more so,” Larsovitch quips. “But it’s feasible, even if the French inspirations such as Rendez-vous, Agar Agar, and Kas Product, all sung in Uncle Sam’s language. Regarding the lyrics, their content is more often than not political. The themes are varied, but the struggle against fascism, capitalism, techno-decadence, and police violence holds a prominent place. That being said, a poetic approach is preferred over analytical demonstration, to dance to the timeless Marxist morality without receiving a lesson in conduct.”

The music video for “Skasé,” which translates to “shut up” in Greek, cleverly satirizes the concept of voluntary servitude using a metaphor that gradually reveals itself to the audience. The video employs a series of visual and symbolic cues, subtly inviting viewers to piece together the underlying message. This approach encourages active viewer engagement, leading to a deeper exploration of the themes presented. By avoiding direct exposition, the video prompts its audience to reflect on the societal implications and their own interpretations, turning the viewing experience into a thought-provoking analysis of human behaviour and social structures. In order to break free from control, Larsovitch chooses both escape and friendship.

Under the direction of filmmaker Eleni Fil, and with the participation of Giakov Giurovski from the Gématos Arachnes group, the entire video was filmed in Athens in October 2023, in the neighborhoods of Psyri, Pagrati, Exarchia, Thyseio, and the Lycabettus Hill.

Watch the video for “Skasé” below:



“Skasé” is the first single from the upcoming EP, ΣΥΝΘ Cassette 02/2024, set to be released in February 2024 by Conicle Records & Ascèse Records. The music, intricately crafted through the recording, mixing, and production expertise of Larsovitch and Yuls at Theoctopus Studio, achieves its final polish with Alex Cappa’s mastering at Metropol Studio in Madrid.

Order the EP here

EP 2023 by Larsovitch

Larsovitch came into existence in 2020 at the artistic workshop Friche Mimi. The premise is quite simple – to compose dark yet highly danceable music using old machines rather than relying on a computer. A chance encounter during a residency outing with sound engineer Jules Potier elevatesd the project, both technically and artistically. Larsovitch then established a lasting presence at the Friche by opening “TheOctopus,” a recording and music creation studio. There, he benefited from the sharing of the expertise of several people also involved in the workshop: Asphalte & G. for stage coaching, Aléthéia Audiovisuel for video productions, Camille Fanti from Label Folie, as well as Dany Lapointe from Printival who provided valuable advice on development.

Larsovitch also has major planned in Athens in 2024.

Follow Larsovitch:

YouTube
Facebook
Instagram

The post Synth Driven Post-Punk Project Larsovitch Breaks Free From Control in the Video for “Skasé” appeared first on Post-Punk.com.

Source: Post-Punk.com

Genre/Influences: Experimental, Minimal-Electro. Format: Digital, CD. Background/Info:  This album is the first one in eight...

Source: Side Line

BODY COUNT arbeiten an einem neuen Album, es trägt den Titel “Merciless” und soll noch in diesem Jahr über Century Media Records veröffentlicht werden.

Live kann man die Band um ICE-T bereits im Sommer erleben, BODY COUNT spielen auf einigen Festivals und haben jetzt auch Clubkonzerte angekündigt. In Deutschland ist ein Hallen-Konzert im Hamburg geplant, BODY COUNT spielen auch zweimal in der Schweiz.

Für das Vorprogramm konnten SLOPE gewonnen werden.

Body Count feat. Ice-T, SLOPE “Merciless” EU/UK Tour 2024
05.06.2024 – Mystic Festival – Gdansk, Poland
07.06.2024 – Edel Optics Arena – Hamburg, Germany
08.06.2024 – Rock Im Park – Nürnberg, Germany
09.06.2024 – Rock Am Ring – Eifel, Nürburg, Germany
11.06.2024 – Citadel Music Festival – Berlin, Germany
13.06.2024 – Rock For People – Hradec Kralove, Czech Republic
14.06.2024 – Budapest Park, Budapest, Hungary
15.06.2024 – Novarock – Nickelsdorf, Austria
16.06.2024 – SRC Salata – Zagreb, Croatia
17.06.2024 – Komplex 457 – Zurich, Switzerland
18.06.2024 – Les Docks – Lausanne, Switzerland
20.06.2024 – Nummirock – Nummijarvi, Finland
22.06.2024 – Copenhell – Copenhagen, Denmark
23.06.2024 – Graspop, Dessel, Belgium
25.06.2024 – Rockhal – Luxembourg, Luxembourg
26.06.2024 – Paradiso – Amsterdam, Netherlands
27.06.2024 – Jera On Air – Ysselsteyn, Netherlands
28.06.2024 – Hellfest – Clisson, France
30.06.2024 – O2 Kentish Town Forum – London, United Kingdom
01.07.2024 – The Ritz – Manchester, United Kingdom
02.07.2024 – SWG3 (Galvanizers) – Glasgow, United Kingdom

Source: Vampster

Die Sludge Metal-Band LOVE SEX MACHINE hat mit “Trve” ein neues Album angekündigt. Es ist nach “Love Sex Machine” (2012) und “Asexual Anger” (2016) das dritte Album des französischen Trios aus Lille.

“Trve” wurde von Sanford Parker produziert und wird am 12. April 2024 via Pelagic Records erscheinen.

LOVE SEX MACHINE “Trve” Tracklist
1. Fucking Snakes
2. Test26
3. Trapped For Life
4. Body Probe
5. Canopy
6. Broken Code
7. Carbonic Beast
8. Autism Factor
9. Hollywood Story
10. Mask

Source: Vampster

Rockhal, Esch sur Alzette, Luxembourg 29th January 2024Periphery - “The Wildfire European Tour” 2024 On Monday, the time had finally come: PERIPHERY, the Prog Metal sensation, made a triumphant return to the Rockhal after their last performance in 2017. The anticipation was palpable and the Rockhal was pretty packed, even though the week had only just begun.

Source: Reflections of Darkness

 
Dylan Desmond has been half of the Seattle doom metal band Bell Witch for more than a decade, utilizing the bass guitar as his primary instrument in the group’s funereal and cosmic sonic explorations. Now, he is turning his attentions to synthesizers with the unveiling of his dark ambient project, Je est un Autre [..]

Source: RE:GEN Mag

Like Ringo walking by the canal
Downcast and alone
You’re taking time to play that part
A man who skims a stone
The term “nonetheless” embodies a certain resilience in thought and language, embodying an acknowledgment of reality’s complexities without succumbing to cynicism or defeatism. The term is a linguistic expression of enduring optimism and the ability to perceive and appreciate the multifaceted nature of life’s experiences. It is, in short, the perfect word embodying the extraordinary career of Pet Shop Boys, who have just released the new single Loneliness. Although the younger set might not get the reference to A Hard Day’s Night, the feeling of isolation is universal throughout all the generations currently battling it out on social media, those masking their true identities, and those succumbing to peer pressure in modern times.

Pet Shop Boys continue to prove their timeless relevance with their latest melancholic disco track, maintaining their status as synthpop icons. Their enduring ability to produce music that is both sardonically uplifting and innovative keeps them at the forefront of the genre, consistently inspiring fans and artists alike with their fresh, creative approach. In the past few months alone, Pet Shop Boys have been covered by Sally Shapiro, The Heroic Enthusiasts, Sleaford Mods, TR/ST with Jake Shears, Some Ember, and even served as a pillory of shame the infamous Saltburn karaoke scene.

Directed by Alasdair McLellan, the video for Loneliness is a compelling portrayal of the concealed lives of young men grappling with their sexuality, depicted through secret meetings in bathrooms and the exchange of covert notes through glory holes. It artfully captures their yearning for one another, juxtaposed with the public denial of their true emotions, weaving a sorrowful tale of hidden desires and the pain inflicted by their duplicity on everyone involved. Neil and Chris appear in the video – wise, paternal, asking these people if the pain of lies under social pressure is worth it.

It is, in short, Pet Shop Boys at their best.

Nonetheless is set to drop on April 26th via Parlophone, with the launch being celebrated through five exclusive shows at the Royal Opera House in London.  James Ford took the helm in production, mainly operating from his studio in East London.

Tracklist:

Loneliness
Feeling It
Why Am I Dancing?
New London Boy
Dancing Star
A New Bohemia
The Schlager Hit Parade
The Secret of Happiness
Bullet for Narcissus
Love is the Law

PET SHOP BOYS – 2024 TOUR DATES

May 2024

Friday 31st O Son do Camiño Santiago de Compostela Spain

June 2024

Tuesday 4th OVO Hydro ArenaG lasgow UK
Thursday 6th Motorpoint Arena Nottingham UK
Saturday 8th Utilita Arena Birmingham UK
Sunday 9th Co-op Live Arena Manchester UK
Tuesday 11th SSE Arena Belfast UK
Saturday 15th Mallorca Live Festival CalviàS pain
Saturday 22nd Isle of Wight Festival 2024 Newport, Isle of Wight UK
Wednesday 26th AFAS Live Amsterdam Netherlands
Friday 28th SAP Arena Mannheim Germany
Saturday 29th ZAG Arena Hannover Germany

July 2024

Monday 1st O2 Universum Prague Czech Republic
Wednesday 3rd Arena COS Torwar Warsaw Poland
Saturday 6th Mercedes Benz Arena BerlinG ermany
Tuesday 23rd Royal Opera House London UK
Wednesday 24th Royal Opera House London UK
Thursday 25th Royal Opera House London UK
Friday 26th Royal Opera House London UK
Saturday 27th Royal Opera House London UK

Follow Pet Shop Boys:

Facebook
YouTube
Spotify
Instagram

The post Pet Shop Boys Announce New Album “Nonetheless” and Debut Video for “Loneliness” appeared first on Post-Punk.com.

Source: Post-Punk.com

  On January 5, Matte Blvck revealed the “Vows” single – today, February 1, sees the arrival of the music video. Serving as the title track and the first taste of the San Diego gothic electro act’s forthcoming album, the song features the core trio of Alex Gonzales, Bidi Cobra, and Daniel Corrales declaring “I’m […]

Source: EBM.gr

Die Psychedelic / Punk Rock-Band VELCROS hat nach dem Video-Clip zu “Troubled Mind” mit “Starting Now” den Opener ihres kommenden Albums “Strange News From the Vault” als Video-Clip veröffentlicht.

Im November 2023 hat die Band mit dem Video zu “Hollowed” eine erste Single des Albums veröffentlicht.

“Bei der Entwicklung des visuellen Konzepts für ‘Hollowed’ wählten wir einen besonderen Ansatz für die visuelle Umsetzung des Songs. Während der Text eine äußere Transformation erforscht, die von einem inneren Bedürfnis angetrieben wird, haben wir das Thema des Videos umgekehrt: die äußere Transformation stellt nun eine Bedrohung für das Innere dar. Diese Ambivalenz unterstreicht den Konflikt des Songs zwischen einer Wahlmöglichkeit und dem Gefühl der Machtlosigkeit”, erklärt das deutsche Trio aus Leipzig.

“Strange News From the Vault”, das von Magnus Wichmann in den Lala Studios gemixt und gemastert wurde, folgt der 2023er-EP “Spit Takes” nach und ist das erste Album der Band, welche aus Fabian Bremer, Nicolai Hildebrandt und Manuel Markstein besteht. Erscheinen wird das Album am 22. März 2024 via Crazysane Records.

VELCROS “Strange News From the Vault” Tracklist
1. Starting Now (Video bei YouTube)
2. Hollowed (Video bei YouTube)
3. Troubled Mind (Video bei YouTube)
4. Avalanche
5. Devotion
6. Sooner Later
7. Bitter Lake
8. Fading Too
9. Floater
10. On Your Own
11. The Invisible Hand

Source: Vampster

SVALBARD stimmen mit einem Video zu “To Wilt Beneath The Weight” auf die anstehende Tour mit ENSLAVED und WAYFARER ein – der Song stammt vom aktuellen Album “The Weight Of The Mask“, das im August 2023 erschienen ist.

Für SVALBARD-Sängerin Serene Cherry hat der Clip eine besondere Bdeutung und ist mit einigen Erinnerungen verbunden:

“Wir haben dieses Live-Video im O2 Forum in London gedreht. Dort habe ich eine meiner ersten Metal-Shows überhaupt gesehen habe! (Es war Mudvayne!) Es war surreal, selbbst auf der Bühne zu stehen, auf der ich so viele inspirierende Metal-Musiker gesehen habe. Es war ein Moment, den ich für mich festhalten musste. Diese wunderbare Erinnerung an den Auftritt beim BEYOND THE REDSHIFT ist etwas ganz Besonderes für mich. Es war ein großartiges Festivals mit vielen fantastische Künstlern.”

ENSLAVED, SVALBARD, WAYFARER Tourdaten 2024

06/03 – UK London, Islington Assembly Hall
07/03 – UK Leeds, Brudenell Social Club
08/03 – UK Manchester, Club Academy
09/03 – UK Glasgow, Slay
10/03 – IE Dublin, Opium
12/03 – NL Helmond, Cacaofabriek
13/03 – FR Paris, La Machine
14/03 – CH Genf, PTR/l’Usine
15/03 – FR Montpellier, Victoire 2
16/03 – IT Milan, Legend
18/03 – CZ Prague, Futurum
19/03 – AT Wien, Szene
21/03 – DE Köln, Club Volta
22/03 – DE Leipzig, Taubchenthal
23/03 – DE Berlin, Hole44
24/03 – PL Warsaw, Proxima

 

Source: Vampster

Genre/Influences: Dark-Ambient, Cinematic. Format: Digital, CD. Background/Info: For more than twenty years now Swedish artist...

Source: Side Line

Die Modern Metalcore-Band SETYØURSAILS stellt ihr neues Album “Bad Blood” mit einem Musikvideo vor: Den Clip zum Titeltrack gibt’s bei YouTube, zu hören ist auch Gastsänger Adrian Estrella (ZEBRAHEAD).

Sängerin Jules Mitch erklärt zur Platte:

“Mit unserem neuen Album Bad Blood läuten wir eine neue Ära in unserer Bandgeschichte ein. Dieses Album ist lauter, aggressiver und ehrlicher als alles, was wir je zuvor gemacht haben. Es ist ein weiterer Schritt in Richtung Selbstfindung und Heilung. Es behandelt verschiedene Themen wie Verrat, psychische Gesundheit, aber auch Sex und eine Menge komplexer Gefühle. Themen, die wir noch nie zuvor angesprochen haben. Wir sind bereit für eine Veränderung, für ein neues Kapitel. Eine neue Chance zur Weiterentwicklung.”

Zuvor gab es bereits die Single “Best Of Me” als Video bei YouTube.

“Bad Blood” erscheint am 12. April 2024 via Napalm Records auf CD, Vinyl sowie digital. Im Frühjahr kommt das Quartett zudem mit RISING INSANE auf Tour:RISING INSANE + SETYØURSAILS – Tourdaten 2024 bei vampster.

SETYØURSAILS “Bad Blood” Artwork

SETYØURSAILS “Bad Blood” Tracklist
01. Bad Blood (Video bei YouTube)02. Best Of Me (Video bei YouTube)03. T.F.M.F.04. Halo05. Lately06. Dangerous07. Bad Company08. In My Head09. Heart Attack10. Eternally

SETYØURSAILS Line-up 2024
Jules Mitch – vocals, songwritingAndré Alves – guitar, songwritingHenrik Kellershohn – drumsNicolai Hoch – bass

Fotogalerie: SETYØURSAILS – Backstage Halle, München – 29.04.2024

Source: Vampster

Mit einem Video zu “Beyond The Chemical Doorway” haben JOB FOR A COWBOY nun einen weiteren Song vom kommenden Album “Moon Healer” veröffentlicht. “Moon Healer erscheint am 23. Februar 2024 via via Metal Blade Records.

Im September 2023 meldeten sich JOB FOR A COWBOY nach einer langen Pause mit der Single “The Agony Seeping Storm” bei YouTube zurück, im November folgte der zweite Preview-Track des neuen Albums mit “The Forever Rot”.

Gute zehn Jahre sind seit dem letzten Album der Band vergangen, Sänger Jonny Davy nennt die Gründe für die Auszeit:

“Ich musste aus familiären Gründen mit der Band einfach langsamer machen, diese Situation brachte uns an einen Scheideweg und wir alle gingen unsere eigenen Wege: Vaterschaft, zusätzliche Musikprojekte, akademische Abschlüsse und Karrieren außerhalb der Band hatten Vorrang und standen im Mittelpunkt unserer Leben. Doch nun ist die Zeit für ewas Neues gekommen.

“Moon Healer ” entstand in Sanford, Florida mit Produzent Jason Suecof im Audiohammer Studio. Den Hintergrund des Albums beschreibt Davy so:

Das Albumkonzept wurde von einem engen Freund inspiriert, der sich mittels Drogenmissbrauch auf die Suche nach tiefgreifender Erleuchtung begeben hat. Er machte immer mehr religiös anmutender Experimente, bis die ersten Symptome einer bipolaren Störung und Schizophrenie auftraten. Er war überzeugt, durch halluzinogene Rauschzustände Zugang zu einer alternativen, esoterischen Realität zu haben, in der er gnostischen und biblischen Figuren begegnete. Die Songs spiegeln seine Gedanken und Erfahrungen wider.”

 

JOB FOR A COWBOY “Moon Healer”  Tracklist
01. Beyond the Chemical Doorway (Video bei YouTube)
02. Etched in Oblivion
03. Grinding Wheels of Ophanim
04. The Sun Gave Me Ashes so I Sought Out the Moon
05. Into the Crystalline Crypts
06. A Sorrow-Filled Moon
07. The Agony Seeping Storm (Video bei YouTube)
08. The Forever Rot (Video bei YouTube)

JOB FOR A COWBOY:
Jonny Davy – vocals
Al Glassman – guitar
Nick Schendzielos – bass
Tony Sannicandro – guitar

Source: Vampster

2024 soll ein neues Album von HIRAX erscheinen. Wann das Album rauskommt, hat die Thrash Metal-Band noch nicht verraten, aber es gibt eine erste Single: Lyrics-Video zu “Drill Into The Brain” bei YouTube. Produziert hat den Track Bill Metoyer.

Im vergangenen Jahr veröffentlichten HIRAX Demo-Versionen der neuen Tracks, ebenfalls unter dem Titel “Fast Than Death”, aufgenommen wurden die Stück im Proberaum.

 

Source: Vampster

Die instrumentale Progressive Metal-Band SOMETIME IN FEBRUARY hat einen Plattenvertrag mit InsideOut Music abgeschlossen. Bevor die US-Amerikaner zum Trio anwuchsen, handelte es sich um das Soloprojekt des Gitarristen Tristan Auman.

Die neue Single “Hiding Place” steht als Visualizer bei YouTube bereit.

Zuvor veröffentlichten SOMETIME IN FEBRUARY die EP “Here Goes” (2021).

SOMETIME IN FEBRUARY Line-up 2024
Tristan Auman – Gitarre
Morgan Johnsin – Bass
Scott Barber – Drums

Source: Vampster

LEPROUS-Sänger EINAR SOLBERG veröffentlicht am 16. Februar 2024 das Album “The Congrgation Acoustic” via InsideOut Music. Dabei handelt es sich um einen Mitschnitt seines Streaming-Konzerts aus dem Jahr 2022, wo der Musiker das Album “The Congregation” seiner Hauptband nur mittels eines Pianos neu interpretierte.

Den Song “Within My Fence” kann man sich vorab als Clip bei YouTube ansehen.

“The Congregation Acoustic” erscheint auf CD, Vinyl sowie digital.

EINAR SOLBERG “The Congregation Acoustic” Tracklist
01. The Price (Live)
02. Third Law (Live)
03. Rewind (Live)
04. The Flood (Live)
05. Triumphant (Live)
06. Within My Fence (Live) (Mitschnitt bei YouTube)
07. Red (Live)
08. Slave (Live)
09. Moon (Live)
10. Down (Live)
11. Lower (Live)

Source: Vampster