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20.01.2021 :: Lights Of Euphoria - Altered Voices
Lights Of Euphoria - Altered VoicesVor knapp vier Jahren haben Lights Of Euphoria ihr letztes Studioalbum "Traumatized" veröffentlicht, ein Album welches mich bis heute hoch erfreut und das auch kurz nach der Ankündigung des neuen Werkes "Altered Voices" direkt wieder den Weg in die Playlist gefunden hat. Vielleicht ein Fehler, wie sich dann herausstellen sollte.
Lights Of Euphoria ist das Electronic/Synthpop/EBM Projekt von Torben Schmidt (Deutschland), Jimmy Machon & Thomas Gaarn (beide Dänemark) und existierte zunächst für genau einen Song, bei dem Claus Larsen damals die Vocals beisteuerte.
Doch es wurde mehr daraus und so folgten in schöner Regelmäßigkeit Album auf Album. Der Gedanke, des Gastsängers ist aber nie verloren gegangen und auch auf dem aktuellen Album taucht mit Uwe Kanka (Armageddon Dildos) ein stimmgewaltiger Gastsänger auf.
Der Presseinfo ist zu entnehmen das "Altered Voices" ein sehr erwachsenes Album geworden ist, das etwas ruhiger und cineastisch - gewaltig daher kommt, als man es sonst von Lights Of Euphoria gewohnt ist. Inspiriert von Künstlern wie Recoil, Nick Cave und Depeche Mode zu deren "Songs Of Faith And Devotion" Phase ist es eine Weiterentwicklung des "Voices" Albums und eine Fortführung dessen, was auf "Traumatized" begonnen wurde.
Lights Of Euphoria - Altered Voices Kaufen

Na dann: Der Opener "Obession" ist auf jedenfall eines: Ruhig. Nicht schlecht aber auch kein Hitwunder. "Twisted Belonging" als Song Nummer zwei führt diesen Weg fort und langsam wird klar, dass Recoil und Nick Cave zutreffen könnten. Von "Songs Of Faith And Devotion" meine Herren hör ich aber noch nix. "Twisted Belonging" ist ein sehr erwachsener Song, mit ausgefeiltem Songwriting und sehr gutem Gesang. Allerdings zerschellt der Auftakt des Albums an meinen Erwartungen. Wie gesagt es war ein Fehler "Traumatized" kurz vorher nochmal zu hören. So geschieht es auch im weiteren Verlauf des Albums, wo man auf sehr interessante Songs trifft, wo mir aber jegliche Energieexplosionen fehlen. Also skippe ich mich schnell durchs Album und bleibe unweigerlich bei "Shallow Faces" hängen. Das erste mal das ein Song fahrt aufnimmt, auch wenn dies beileibe kein Clubtrack ist. Und siehe da es kommt: "Saviour" baut sich immer mehr auf und bringt Clubathmo ins Wohnzimmer, steigert sich gar bis zur EBM lastigen Nummer. Diesen Spirit nimmt dann "Stronger" mit Uwe Kanka auf. Irgendwie passt der Song gar nicht so recht zum Rest des Albums. Das ist nicht erwachsen! Das ist EBM!
Was mach ich nun also mit diesem Album? Genau man legt es zur Seite und wartet ein, zwei Tage. Dann stellt man fest das die Songs, sehr ausgereift sind und sich musikalisch eben ein wenig von dem entfernt haben was Lights Of Euphoria bislang ausgemacht hat. Da passt dann der Depeche Mode vergleich wieder, die haben das damals auch so gemacht. Doch ich tue mich schwer mit "Altered Voices" wirklich warm zu werden.
Lights of Euphoria @ webfacebook.com
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20.01.2021 :: Eisbrecher - Schicksalmelodien
Eisbrecher - SchicksalmelodienSie sind wieder da - die Songs aus alten Zeiten! Eisbrecher lassen sie aufleben und das mit geballter Power, geladen und mit neuen Impulsen. Sind es auch... [MedienKonverter]

20.01.2021 :: 808 DOT POP - The Cubic Temperature
808 DOT POP - The Cubic Temperature"The Cubic Temperature" ist das fruchtbare Ergebnis einer einzigartigen Zusammenarbeit zwischen 808 DOT POP (auch bekannt als Passenger S von METROLAND) und dem belgischen Veteranen für elektronische Musik Franky Deblomme und seinem neuen CUBIC-Projekt. Was als einmalige Remixzusammenarbeit angedacht war (CUBICs Remix des Tracks "Kelvin" für 808 DOT POPs letzte 7″ Vinyl-Veröffentlichung), wurde jetzt zu einem vollen Klangabenteuer ausgebaut!
Fasziniert von den neuen Elektro-Dimensionen, die CUBIC in seinen eigenen Songs zeigte, fragte sich Passenger S, wie es sich anhören würde, wenn ein und derselbe Künstler ein ganzes Album komplett umgestalten würde. Die Aneignung und Verwandlung jedes Songs in dessen eigenes musikalisches Universum unter Beibehaltung von Teilen der Originalversionen. Die Originalität des Konzepts faszinierte Franky Deblomme. CUBIC begann diese herausfordernde Klangreise und überarbeitete die Tracks des vielbeachteten 808 DOT POP-Albums "The Color Temperature" und verwandter Singles.
808 Dot Pop - The Cubic Temperature (Digital) Weiterlesen
808 Dot Pop - The Cubic Temperature (CD) Kaufen

Songs wie "Ultraviolet", "Illuminants", Singles wie "Blackbodies" und "Kelvin", aber auch B-Seiten wie "Seeing Heat" oder "Cie 1960", wurden komplett umgestaltet und dabei auf einen eher LEFTFIELD / ORBITAL-Sound ausgeweitet. Dies alles mit größtem Respekt und unter Beibehaltung der Identität und des ursprünglichen Klangaromas des charakteristischen warmen und melodischen Vintage-Synth-Stils von 808 DOT POP.
Von der ersten bis zur letzten Note tauchen die Zuhörer in üppige Elektronik ein. Eine musikalische Reise, auf der nach jeder neuen Note eine weitere lebhafte Überraschung wartet, die immer deutlich das CUBIC-Wasserzeichen mit einem Spritzer 808-Geschmack enthält.
"The Cubic Temperature" beweist, dass ein gewagtes Konzept, das im Prinzip einfach ist, so viel zu bieten hat, wenn die Magie funktioniert und zwei Talente sich vereinen und zeigen, dass 1 + 1 auch mal 3 ergibt...
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20.01.2021 :: Cindergarden releases anthology of tracks from first six albums
Brazilian underground imprint Wave Records has released the first volume of an anthology series chronicling the works of dark electro act Cindergarden. The collection showcases 18 selections from across the project's six albums released between 2006 and 2021, demonstrating Jaymie Valentine's fiercely independent artistic spirit, filled to the brim with lyrics that run the [...]
The post Cindergarden releases anthology of tracks from first six albums appeared first on ReGen Magazine.
Original Source: ReGen Magazine [EBM.gr]

20.01.2021 :: Cindergarden releases anthology of tracks from first six albums
Brazilian underground imprint Wave Records has released the first volume of an anthology series chronicling the works of dark electro act Cindergarden. The collection showcases 18 selections from across the project's six albums released between 2006 and 2021, demonstrating Jaymie Valentine's fiercely independent artistic spirit, filled to the brim with lyrics that run the [...]
The post Cindergarden releases anthology of tracks from first six albums appeared first on ReGen Magazine. [RE:GEN Mag]

19.01.2021 :: XEPER :: Neuer Track "Riding The Spiral Of Lilith"
XEPER :: Neuer Track Die international aufgestellte Black Metal Band XEPER hat einen neuen Track von ihrem kommenden Album "Ad Numen Satanae" veröffentlicht. "Riding The Spiral Of Lilith" wird zusammen mit sechs anderen Tracks am 26.2. via Soulseller Records erscheinen. facebook.com / soulsellerrecords.bandcamp.com XEPER [...] [AmbossMAG]

19.01.2021 :: Implant returns with 11th album 'Cognitive Dissonance' available in a limited ...
Implant returns with 11th album 'Cognitive Dissonance' available in a limited ...Implant's 11th album is a fact! The Belgian electronic act recently released the "Phantom Pain" EP and video clip as a teaser for what was to come, and now the band has announced the imminent release of "Cognitive Dissonance".
You can expect an array of sounds on the new album, from industrial dance over dark elektro and melancholic chanson ("The Last Record") to upbeat future pop and techno pop. For the album Implant could count on vocal contributions by Helalyn Flowers' front woman Noemi Aurora on several songs.
There will also be a limited deluxe double-CD digipak edition of the album (available here) which will hold the "When Prophecy Fails" bonus disc featuring 2 exclusive tracks and an eclectic selection of remix collaborations with such artists and bands like Breath Of Life, Suicide Commando, Armageddon Dildos, 808 Dot Pop, Signal Aout 42, Aiboforcen, Helalyn Flowers, Neuroactive, AD:keY, Q'pnz and Növö.
You can already check 2 tracks from the album below on Bandcamp (where you can also pre-order the release).
Cognitive Dissonance (Bonus Tracks Version) by IMPLANT About Implant Implant was formed in 1992 when Geert Machtelinck and Len Lemeire attended the same university. It took them till 1996 to release the first CD album ("Soft flesh / Hard steel") which was followed by 2 MCD's ("Fun" and "Brain FX"). The band then took a swing in unexplored territory of psy-trance, becoming one of the first psy-electro bands. They later on returned to a more eclectic electro approach incorporating various electronic influences in their work.
Since 2004 Implant is signed to Alfa Matrix for which Len Lemeire has also been mastering quite a lot of releases.
The post Implant returns with 11th album 'Cognitive Dissonance' available in a limited 2CD box edition as well appeared first on Side-Line Music Magazine.
Original Source: Side-Line Music Magazine [EBM.gr]

19.01.2021 :: Pig - Pain Is God (Album - Metropolis Records)
Pig - Pain Is God (Album - Metropolis Records)Genre/Influences: Industrial, Electro-Rock.
Format: Digital, CD.
Background/Info: British born Raymond Watts is what you can call a phenomenon. He collaborated with famous artists and was of course one of the KMFDM core members. Active since the 80s Watts is back on track with a new work of his sonic brainchild Pig! The new opus features fourteen cuts.
Content: Raymond Watts is doing what he has always done; achieving a diversified piece of modern Industrial music, which others will call Electro-Rock. The songs sound as the perfect osmosis between empowering guitar playing and heavy electronics. Some songs have been achieved with epic arrangements, but I also noticed some funky parts and an empowering, pretty Rammstein-driven song. Watts is singing with a natural charisma now adding some rage and later on emotion. The female backing vocals inject a sensual touch on top of the deeper male growls. The KMFDM fans will notice a cover version (but is it really a cover as Watts was a founding member of the band) of "Kickin Ass".
+ + + : Globally speaking I should dare to say this new opus is a typical Pig album. It still sounds a bit KMFDM-like -which is rather understandable, but in the end it simply sounds like Pig! A merciless compromise between furious guitar play empowering the choruses and heavy electronic treatments. Songs like "Rock N Roll Refugee" and "Seed Of Evil" both are great exposures of this work, but I also have to mention the furious-like "Hell To Pay In The USA". The Rammstein fans will be pleased by the "Evil Edit" of "Sex And Death". A last attention grabber I want to mention is "Mobocracy - Militant Mix".
- - - : I know some Pig albums with more potential hits, but globally speaking this album is a fully accomplished piece of music.
Conclusion: Pig remains a band with a naughty- and very personal sound; play it loud!
Best songs: "Seed Of Evil", "Rock N Roll Refugee", "Hell To Pay In The USA - (Piss & Vinegar Mix", "Mobocracy - Militant Mix".
Rate: (7½).
Artist: pigindustries.com / facebook.com
Label: metropolis-records.com / facebook.com
The post Pig - Pain Is God (Album - Metropolis Records) appeared first on Side-Line Music Magazine.
Original Source: Side-Line Music Magazine [EBM.gr]

19.01.2021 :: CD Review: Accept - Too Mean To Die
CD Review: Accept - Too Mean To DieArtist: Accept
Title: Too Mean To Die
Genre: Heavy Metal
Release Date: 29th January 2021
Label: Nuclear Blast [Reflections of Darkness]

19.01.2021 :: 'Click Interview' with MOTOR!K: 'It's Only The Love For The Music'
'Click Interview' with MOTOR!K: 'It's Only The Love For The Music'MOTOR!K is a Belgian Krautrock formation set up in 2018 by Joeri Dobbeleir (guitar and synths), Dries D'Hollander (drums) and Dirk Ivens (guitar and effects). The Belgian trio released its self-named debut album in 2019 on Out Of Line. It was a rather surprising signature on the label, which is more familiar with Dark-Electronics, EBM, Electro-Pop and since a few years Metal music. MOTOR!K moved on unleashing a new album this year. The work sounds as a perfect offspring between Psychedelic guitar play, transcendental Electronic sound treatments and exciting drum patterns. Time for a chat with Joeri Dobbeleir.
(Picture credits by Danny Quintelier / Interview courtesy by Inferno Sound Diaries)
Q: How did you guys get in touch? We of course know Dirk Ivens from his numerous projects, but can you tell us a bit more about your background?
Joeri: I've met Dirk many years ago because we live in the same town. In 2017 he released the debut album from my other band, The Whereabouts Of J. Albert. While meeting somewhere in 2018 we've decided to start a new band because of our mutual interest in the Krautrock-Kosmische Musik genre. Initially we jammed with a drum computer and a bass sequencer, but soon it was clear that we needed a more 'human' drum sound so I've asked Dries, who I also knew for many years and who was the drummer for Suburb Songs, one of my first bands. From the first rehearsal with 3 members it was clear that we've made the right decision. The fact that he also lives in the same town as Dirk and I made it even more appealing. Even our rehearsal room is nearby so it was easy to set up rehearsals and start working on the tracks.
Q: How do we have to understand MOTOR!K referring to the influences you incorporated and criteria when it comes to production?
Joeri: Of course we have certain influences like NEU?, HARMONIA or WIRE, but above all we try to obtain our own sound production-wise. I feel that with every album we are reaching that goal even more. Most of the basic bass tracks, synths and overdubs are recorded in my home studio and the drums and guitars in the rehearsal room. The mixing of the 2 albums was done at Dries his place because he has these very great sounding vintage 70's monitors.
Q: Your music has been defined as Krautrock, which is a music genre evoking the German late 60s and 70s; the revolt of the students, the call for liberty, drugs etc. What does this period evoke to you and what does Krautrock -and its revival today, evoke to you?
Joeri: Musically it is a very interesting period because of the pioneering work of bands such as NEU?, Tangerine Dream, ASH RA TEMPEL etc...
The revolting and 60's hippie part is least interesting to us, it's only the love for the music.
The bands who are playing today are more straight-forward, including us. There is a certain similarity between all these 'modern' bands in the genre and that is this trance-evoking drive.
Q: I experienced your new work as more mature featuring more elaborated and accomplished songs. What's your own perception about the evolution from the debut work towards "Motor!k 2"?
Joeri: When we finished the first album we never took the stage as a band. Before recording the 2nd one we've played nearly all of the tracks live so they could grow on us. I think that's the main difference. Our main goal is to improve with each new album.
Q: What's your way of working together and what's the input of each member? What makes the chemistry between you all?
Joeri: I write all the basic synth and guitar tracks and record them as some kind of demo. Then I send them to Dirk and Dries and afterwards we jam to get versions we all like. Dirk did most of the overdubs for the 2 albums on guitar and synth.
Dirk his role in the band is to make weird groovy noises on guitar and synth to make it all less 'poppy' and Dries is holding it all together with his minimal drumming and electronic percussion. My role in the band is to play more melodic guitar parts and creating guitar loops. Because each of us has a significant role in the band, that easily creates a chemistry between us.
Q: Bacause of Covid-19 pandemic bands no longer can play live. Is that the reason you released different clips from songs of the new work? Tell us a bit more about the clips and how do you see things evolving for MOTOR!K?
Joeri: We only played one live streaming concert since the Covid-19 pandemic, which was a very strange thing to do, because we were used to play in clubs and at festivals packed with people.
When playing live, the visual aspect is very important to us. That's why we use strobo's and moving visuals to enhance the Trance-like feel of the music. The clip for "Sundown" was created by Monade Li, who also took care of the layout of our album "2". The one for "Ritual" was made by E. Gabriel Edvy from Blackswitch Labs (who also worked with Dirk before for Dive) and "Headlights" was done by Ingo Sporl.
They all did a splendid job and we can't thank them enough for putting so much effort in their work at these uncertain times.
As we speak we are preparing the third album, which we hope to record in a few months. Our goal from the start was to release an album every year, so we stick to that promise to ourselves. When all gets back to how it was before we hope we can catch up playing many gigs and promote our albums.
The post 'Click Interview' with MOTOR!K: 'It's Only The Love For The Music' appeared first on Side-Line Music Magazine.
Original Source: Side-Line Music Magazine [EBM.gr]


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